Reza Monahan Studio blends questions of language and cinema within time-and-space-based projects to unfold ideas surrounding rhythm, light and design. This is done to produce contemporary art works that underscore the curvilinear, oblique, volumetric and active qualities of mediums in high-contrast heat for one another. In turn, Monahan attempts to express what he calls “Meta-Kinesthetics,” placing himself within traditions of the Haptic, a philosophical state of being 20th century French philosopher, Maurice Merleau-Ponty equates to “felt phenomenology.”